Auto Tune For Vocalists
Antares Auto-Tune Pro v9.1.0 WIN
Size 110 Mb
- Auto Tune For Vocalists Online
- Vocal Auto Tune For Pc
- Auto Tune Microphone
- Vocal Auto Tune Software
- Auto Tune For Vocalists 2016
Auto Tune For Vocalists Online
Auto-Tune Pro The Professional Standard for Pitch Correction
Jun 20, 2018 What is Autotune? Auto-Tune is a program that measures and adjusts the pitch of a recording. It has been used for quite a long time to correct slightly off-pitch voice recordings, and it’s pretty good at that — most Auto-Tune use you will most likely not hear or detect. Antares AutoTune Pro 9.0.1 Crack + Activation Key 2020 Download is a sound editor produced by Antares Audio Technologies. It is used to measure or change the music file.
Auto-Tune Pro is the most complete and advanced edition of Auto-Tune. It includes both Auto Mode, for real-time pitch correction and effects, and Graph Mode, for detailed pitch and time editing.
Dec 21, 2017 The BEST Auto-Tune for VOCALS (All New Plug-ins) - Duration: 15:31. Reid Stefan 250,621 views. Here's why your Auto-Tune doesn't sound like the pros: The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears. We often see musicians and vocalists singing with their harmonious and tuneful voices and wish to sing like them. But what if I say you can also sing with melodious voices with the help of some auto-tune apps. Mar 21, 2020 It has autotuned ability to tune-up slower music records. Subsequently, surely understood music on-screen characters can impact tunes to record utilizing distinctive melodic instruments like guitar, drum, and electric gadget, etc. Key Features: So, It works consequently and additionally; It has enchantment executions impacts.
For twenty years, Auto-Tune has been the professional standard for pitch correction, and the tool of choice for the most iconic vocal effect in popular music.
Now, with the introduction of Auto-Tune Pro, it’s more versatile and easy to use than ever before, thanks to a totally redesigned interface and powerful new processing, editing, and navigation features.
We’ve added automatic key detection with the new Auto-Key plug-in (included with Auto-Tune Pro purchase), Classic Mode for the “Auto-Tune 5 sound,” and real-time MIDI Control.
Both the Auto Mode and Graph Mode interfaces have been redesigned to offer the most efficient, flexible, and intuitive workflow for professional users and beginners alike.
Auto-Tune Pro also includes Flex-Tune and Humanize for more transparent and natural-sounding tuning, and Low Latency mode so you can perform in real time without distracting delay.
It also features Time Correction for non-destructive time editing, as well as Formant Correction, Vibrato Controls, and Throat Length Modeling.
Whether you want to quickly touch up a few questionable notes or meticulously polish an entire performance, Auto-Tune Pro offers the professional pitch correction and classic effects you’re looking for.
The Professional Standard
For twenty years, Auto-Tune has been the world standard for professional pitch correction (and more recently, time correction), and the tool of choice for the signature vocal effect of modern popular music. Today, it’s used daily by thousands of audio professionals around the world to save studio and editing time, ease the frustration of endless retakes, save that otherwise once-in-a-lifetime performance, or to create what has become the signature vocal effect of modern popular music.
Freedom of Expression
Auto-Tune Pro offers the transparent, natural sounding, and pristine pitch and time correction required for professional quality audio production, as well as the classic effects that have become a staple of popular music.
Use our Flex-Tune and Humanize technologies to bring a vocal performance perfectly into tune without sacrificing the expressive gestures and natural variations that give it its character and authenticity, or crank the Retune Speed for a dramatic Auto-Tune Effect.
The powerful Time Correction features in Graph Mode allow you to quickly touch up the timing errors in an otherwise perfect performance, or creatively rework the timing of your track without having to re-record it.
Our Low Latency Mode lets you perform through Auto-Tune in real time on stage or in the studio, without worrying about distracting delay.
Whether you’re in need of natural sounding pitch correction, versatile and transparent time correction, or classic effects, Auto-Tune Pro is the tool you’re looking for.
New Auto-Tune Pro Features
A New, Streamlined User Interface
Auto-Tune Pro features a sleek, all-new interface in both Auto Mode and Graph Mode, redesigned for ease of use and efficient workflow.
Auto Mode now includes two unique screen views: Basic View which gives you quick and easy access to the core features of Auto Mode, and Advanced View which unlocks the powerful MIDI, scale editing and vibrato features.
The Graph Mode interface has be redesigned from the ground up. In addition to a much larger Main Graph, the new Graph Mode features greater zoom resolution, user assignable zoom presets, and controls reconfigured to optimize workflow efficiency.
Classic Mode
Classic Mode is the return of the celebrated “Auto-Tune 5 sound.” As we’ve added new features to Auto-Tune, the algorithm has evolved, and its sonic qualities have undergone subtle changes, with each Auto-Tune version having its own slightly different character.
Over the years, the sound of Auto-Tune 5 has developed a strong following among pro audio engineers, musicians and producers. After repeated requests from the professional music-making community, we’ve made the sound of Auto-Tune 5 easily accessible via Classic Mode in Auto-Tune Pro.
Auto-Key: Automatic Key and Scale Detection
Auto-Key is a brand new plug-in, included with your Auto-Tune Pro purchase, which automatically detects the key and scale of your music and sends that information to one or more instances of Auto-Tune Pro. If you already know the key and scale of your tracks, you may also find Auto-Key useful for simultaneously setting the Key and Scale parameters of multiple instances of Auto-Tune Pro from a single location.
MIDI Parameter Control
Many of Auto-Tune Pro’s key parameters can now be controlled in real time with a MIDI controller, including Retune Speed, Flex-Tune, Humanize, Throat Length and all of the Vibrato functions. Assign the parameters to the controls on your MIDI device, and perform dramatic effects in real time on stage or in the studio.
Fxed saving Auto-Tune Pro in Cubase.
What I find most fascinating about Antares Auto-Tune is that everyone and their mother knows what it is, despite the fact that it's just another digital audio plugin used in bedroom and professional studios alike. Even people who have no clue what an EQ or compressor does somehow at least know of the word 'Auto-Tune' and even the general effect it has on the human voice.
But even though Auto-Tune has evolved to become this cultural phenomenon, very few artists or producers truly understand how to get it to sound like the way it sounds on major records.
In case you don't know what it is, Auto-Tune, in a nutshell, is a pitch correction software that allows the user to set the key signature of the song so that the pitch of the incoming signal will be corrected to the closest note in that key (and does so in real time). There are other pitch correction programs out there that do similar functions: Waves Tune, Waves Tune Real-Time, and Melodyne (which is pitch correction, but not in real time), but Auto-Tune seems to have won the standard for real-time pitch correction.
Vocal Auto Tune For Pc
Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain.
Working as a full-time engineer here at Studio 11 in Chicago, we deal with Auto-Tune on a daily basis. Whether it's people requesting that we put it on their voice, something we do naturally to correct pitch, or even for a specific creative effect. It's just a part of our arsenal that we use everyday, so over the years we have really gotten to know the ins and outs of the program—from its benefits to limitations.
So let's delve further into what this software really is and can do, and in the process debunk certain myths around what the public or people who are new to Auto-Tune may think. If you were ever wondering why your Auto-Tune at home doesn't sound like the Auto-Tune you hear from your favorite artists, this is the article for you.
To set the record straight, as I do get asked this a lot of times from clients and inquiring home producers, there really are no different 'types' of Auto-Tune. Antares makes many different versions of Auto-Tune—Auto-Tune EFX, Auto-Tune Live, and Auto-Tune Pro—that have various options and different interfaces, but any of those can give you the effect you're after. Auto-Tune Pro does have a lot of cool features and updates, but you don't need 'Pro' to sound pro.
I wanted to debunk this first, as some people come to me asking about the 'the Lil Durk Auto-Tune,' or perhaps that classic 'T-Pain Auto-Tune.' That effect is made from the same plugin—the outcome of the sound that you hear depends on how you set the settings within the program and the pitch of the incoming signal.
So if your Auto-Tune at home sounds different from what you hear on the radio, it's because of these factors, not because they have a magic version of Auto-Tune that works better than yours at home. You can achieve the exact same results.
In modern music Auto-Tune is really used with two different intentions. The first is to use it as a tool in a transparent manner, to correct someone's pitch. In this situation, the artist doesn't want to hear the effect work, they just want to hit the right notes. The second intent is to use it as an audible effect for the robotic vocals you can now hear all over the pop and rap charts.
But regardless of the intent, in order for Auto-Tune to sound its best, there are three main things that need to be set correctly.
The correct key of the song. This is the most important part of the process and honestly where most people fail. Bedroom producers, and even some engineers at professional studios who might lack certain music theory fundamentals, have all fallen into the trap of setting Auto-Tune in the wrong key. If a song is in C major, it will not work in D major, E major, etc.—though it will work in C major's relative minor, A minor. No other key will work correctly. It helps to educate yourself a bit about music theory, and how to find the key of a song.
The input type. You have the option to choose from Bass Instrument, Instrument, Low Male, Alto/Tenor, and Soprano. Bass Instrument and Instrument are, of course, for instruments, so ignore them if you're going for a vocal effect. Low Male would be selected if the singer is singing in a very low octave (think Barry White). Alto/Tenor will be for the most common vocal ranges, and soprano is for very high-pitched vocalists. Setting the input type correctly helps Auto-Tune narrow down which octaves it will focus on—and you'll get a more accurate result.
Retune speed. This knob, while important, is really all dependent on the pitch of the input source, which I will discuss next. Generally speaking, the higher the knob, the faster it will tune each note. A lower speed will have the effect be a bit more relaxed, letting some natural vibrato through without affecting a vocalist's pitch as quickly. Some view it as a 'amount of Auto-Tune knob,' which isn't technically true. The amount of correction you hear is based off the original pitch, but you will hear more effects of the Auto-Tune the faster it's set.
So let's say you have all of these set correctly. You have the right key, you choose the right range for the singer, and the retune speed is at its medium default of 20ms. You apply it on the singer expecting it to come out just like the pros. And while their voice does seem to be somewhat corrected, it's still not quite corrected to the right pitch.
Here's why your Auto-Tune doesn't sound like the pros:
The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears.
Whether you're going for a natural correction or the T-Pain warble, this point still stands. If the note the singer originally sings is nowhere near the correct note in the key, Auto-Tune will try to calculate as best it can and round up or down, depending on what note is closest. And that's when you get undesirable artifacts and hear notes you weren't expecting to hear. (Here is an example of how it sounds when the incoming pitch isn't close enough to the scale, resulting in an oddly corrected pitch.)
Auto Tune Microphone
So if you put Auto-Tune on a voice and some areas sound good, some sound too robotic and a bit off, those are the areas that the singer needs to work on. Sometimes it can be difficult for non-singers to hear slight sharp or flat notes, or notes that aren't in the scale of the song, so Auto-Tune in many cases can actually help point out the problem areas.
This is why major artists who use Auto-Tune sound really good, because chances are they can sing pretty well before Auto-Tune is even applied. The Weeknd is a great example of this—he is obviously a very talented singer that has no problem hitting notes—and yet his go-to mixer, Illangelo, has said before that he always uses at least a little bit of Auto-Tune on the vocals.
If you or the singer in your studio is no Weeknd, you can correct the pitch manually beforehand with a program like Melodyne, or even with built-in pitch correction tools in your DAW, where you can actually go in and change the pitch of each syllable manually. So if you find yourself in a situation where you or an artist you are working with really want Auto-Tune on their vocals, but it's not sounding right after following all the steps, look into correcting the pitch before you run it through Auto-Tune.
If you get the notes closer to the scale, you'll find the tuning of Auto-Tune to be much more pleasing to the ears. For good reason, T-Pain is brought up a lot when discussing Auto-Tune. Do you want to know why he sounds so good? It's not a special Auto-Tune they are using, its because he can really sing without it. Check it out:
Hopefully this helps further assist you in your understanding and use of Antares Auto-Tune, and debunk some of the myths around it. Spend some time learning some basic music theory to help train the ear to identity keys of songs, find which notes are flat and which notes are sharp. Once you do, you'll find you'll want to use Auto-Tune on every song, because let's face it—nearly a decade after Jay-Z declared the death of Auto-Tune on 'D.O.A.'—it still sounds cool.
Vocal Auto Tune Software
Auto Tune For Vocalists 2016
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